satyajit ray,films,dvd,film institute,movies,oscar,biography,filmography
 

Satyajit Ray

 

The only Indian to have won an Oscar for lifetime achievement in films, Satyajit Ray needs no introduction. A versatile genius, this 6'4'' man showed his talent as a director, producer, writer, composer and even a graphic designer.

Ray was born in Calcutta in an artistic and affluent family. His father and grandfather were both writers, the former even used to write nonsense verse.

The young 'Manik', as Satyajit was called, was fascinated by art, specially the motion picture. After graduating in economics from Calcutta's Presidency college Satyajit joined Shantiniketan to study commercial art.

His first job in 1943 was with a British run advertising agency, D.J. Keymer, as junior visualiser. He spent the next 13 years here, until he became a full-time filmmaker after the success of his first film 'Pather Panchali'.


satyajit ray,films,dvd,film institute,movies,oscar,biography,filmography
 
Did you know?
Satyajit was specially interested in working for children.

He wrote numerous short stories including the famous detective series Feluda for children. His stories are simple and entertaining and deal will topics as varied as horror and science fiction.

Satyajit also revived Sandesh, a children's magazine founded by his grandfather, to which he contributed illustrations, verses and stories throughout his life.
 
Fundu Fact
So interested was Satyajit in cinema that during a six-month trip to Europe in 1950 Ray became a member of the London Film Club and managed to see ninety-nine films in only four-and-a-half months!
A meeting with the famous film director Jean Renoir in Calcutta in 1949 and a business trip to London in 1950, where he saw Vittorico De Sica's "The Bicycle Thief (1949)", had such an influence on Ray that he decided to make his own film.

With absolutely no experience in movie-making and no financial backing, Ray started picking up knowledge from books on the subject and got together a group of equally inexperienced but enthusiastic youngsters to work with him on the dream project.

The experience was enlightening as Ray himself said, "One day's work with camera and actors taught me more than all the dozen books." The result was "Pather Panchali," (1955) a film that won international fame for its simplicity and originality.
Satyajit's interest in cinema led him to co-found Calcutta's first film society in 1947. All the films the society screened and discussed were foreign.
"To be quite honest," Ray writes, "we found nothing worth studying in Bengali films from an esthetic point of view."
After the success of Pather Panchali, there was no stopping Ray. He moved from one success to another, making 29 films in 37 years. He wrote his own screenplays, which were frequently based on stories he had written or illustrated, usually sketched out each scene before shooting it and handled the camera and editing work as well. Since 1962, Ray even composed the music for all his films. That's not all - Ray even designed posters for publicizing his new releases!

Pather Panchali had two sequels Aparajito (The undefeated - 1956) and Apur Sansar (The World of Apu - 1959). Together the three films are known as the 'Apu Trilogy'.
Fundu Fact
In his films, Satyajit Ray tried to capture nature in its element. This was often a difficult task. While filming Aparajito, for example, Ray wanted to capture the chorus of fireflies at night on the camera. But the light that the fireflies gave off was too weak to be filmed and strong lights would have taken away the charm of the scene. So Ray thought of a new way. A bunch of bare-bodied assistants, wearing black loin-cloths were made to hold tiny flashing bulbs. The assistants hopped around in total darkness giving the desired effect.

Satyajit's films were studied in film schools, and watched repeatedly by hopeful film-makers. Many Indian directors like Mani Kaul, Adoor Gopalakrishnan and Shyam Benegal admit the enormous influence Ray, India's first internationally recognized movie director, had on them.
 
Not everyone loves Ray!
Satyajit's films were often criticized for highlighting the poverty of India. Some people even find them too arty. The famous writer Khushwant Singh, for example, wrote that he 'dozed off' in the cimema hall while watching Pather Panchali!
In 1992, Satyajit Ray was honoured with an Oscar for Lifetime Achievement. He received the award from his sickbed in Calcutta, through a special live satellite-television event. The award was followed by the Indian Government's recognition in the form of the Bharat Ratna, the ultimate honour for any Indian.

Satyajit Ray died on April 23, 1992.
Some Satyajit Ray films
1955- Pather Panchali
1956- Aparajito
1957- Parash Pathar
1958- Jalsaghar
1959- Apur Sansar
1963- Mahanagar
1964- Charulata
1968- Goopy Gyn Bagha Byne
1974- Sonar Kella
1975- Jana Aranya
1976- Bala
1977- Shatranj Ke Khiladi
1978- Joi Baba Felunath
1980- Pikoo
1984- Ghare Baire
1989- Ganashatru
1990- Shakha Proshakha
1991- Agantuk

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